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At the sound of the twelfth stroke the hounds stir uneasily, and sigh, and, opening wide their huge jaws, yawn again. Mona pats them reassuringly: and, flinging some fresh logs upon the fire, goes back once more to her old position, with her chin in the palm of one hand, whilst the other rests on the sleek head of Spice. The music, soft and almost mournful, echoes through the room; the feet keep time upon the oaken floor; weird-like the two forms move through the settled gloom. "Do not fear," he said. "No one shall take this back fat from you. Now, take all those best pieces and hang them up, so that those who live in the bear lodge may see them.".

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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. And sitteth in a Sabbath of still rest; She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. It is over; the curtain is down; the charming transformation-scene has reached its end, and the fairy-queen doffing her radiant robes, descends once more to the level of a paltry mortal..